Tone-X leaves Power 98 for BET

Photo by Moye

By Kia O. Moore (kia@mingleberry.com)

Anthony Besler, 41, better known as Tone-X, said goodbye to Power 98 on Friday, Oct. 16. He is moving on to the land of television to work for BET’s The Mo’Nique Show.

No Limit Larry and the Morning Maddhouse played a barrage of hilarious Tone-X radio moments to send off this member of the Maddhouse brethren. As the cast laughed and reminisced, listeners called in expressing how much they would miss their “Uncle Tone.” As the listeners spoke to Besler, many had a tremble in their voice as they said goodbye.

When the morning show wrapped, arms began to wrap around Besler’s neck as his co-works said teary eyed farewells. He hugged and shook hands with over a dozen people before exiting the recording rooming he had worked in for so long. He then walked to the waiting area to greet two fans who decided to come to the studio since they could not get through the Power 98 phone lines. He laughed and joked with them for a moment.  Then he thanked them for taking time to come to the studio while waving goodbye as they entered the elevator. He then walked over to me, extended his hand, smiled and said, “You must be the writer.” He lifted my computer bag from the floor and led me to a spot he felt would be nice and quiet: the control room.

Entering Tone-X’s New World

A desk lines a wall with a plexiglass window that looks into the radio station recording room. A programming board and rack of audio equipment sits at one end of the desk and a microphone sits at the other. He rolls a worn stool out from under the desk. The seat upholstering is busting at the seams as the yellow foam padding protrudes out of the corners. It may have been at the station as long as Besler. Power 98 listeners have heard his bass accented voice hum through their stereo speakers from 5:50 a.m. to 10 a.m. for over a decade.

Besler sits atop the stool. As the tape recorder starts, Besler’s right knee begins to rhythmically bob up and down. It is like his body is unconsciously keeping time as he squeezes one last interview into his schedule. Besler has only had a few days to wrap up his long lasting radio career, pack him and his family’s belongings and make arrangements for their big move to Atlanta, Ga. He has been hired as a network writer for The Mo’Nique Show, BET’s Atlanta based late night talk show. “I had a six day turnaround to leave something that I had been doing for 11 years and get prepared,” he explains.

Leaving behind the day-in and day-out lighthearted conversations with his radio family on the Morning Maddhouse is a little unnerving. To him, the only way he will make it in this unfamiliar land of television entertainment is to trust in God and  trust in himself. “I’m trying to really step out on faith and trying to believe in myself enough to walk away from something I have been doing for 11 years,” he says. 41-year-old Besler recognizes that he has been prepared for this new phase in his career for a while. “God’s time is different than ours. I would have needed and liked more time [than six days] to get myself together, but in God’s time…you are already together,” he says.

Pastor Charles E. Jacobs Jr. of Next Level Ministries knows that Besler is ready for this next phase in his life. Pastor Jacobs enters the control room, interrupting the interview, but he needs to say a few words to Besler before he leaves for Georgia. As Pastor Jacobs talks to Besler in a low steady voice, Besler’s leg stops shaking (which has been moving since the begining of the interview).

Pastor Jacobs tells Besler that he possesses strength and the ability to encourage others. Pastor Jacobs tells Besler that success is awaiting him in Georgia. Besler reveals to Pastor Jacobs that he cannot believe the wonderful text messages people are sending him. “It’s crazy, people tell you have been a blessing to them and you don’t even realize it,” Besler says.

Laughing his way to Success

Besler realized he was on a path to success in 1995. He won a comedy competition sponsored by Zima Clear Malt Liquor held at the Comedy Zone, then located on E. Independence Blvd. His first attempted at organized stand-up comedy landed him a new job and a chance to perform with established comedians. He was hired to host Comedy Zone’s “Freaky Tuesdays.” For two years he traveled back and forth from his hometown of Wilmington, N.C. to host the show.

In 1997 those weekly trips from Wilmington to Charlotte ended. In July 1997, Power 98 hired him. He joined the BJ Murphy and the Breakfast Brothers Morning Show cast. From then on the Queen City knew the voice of Anthony Besler as Tone-X. The Power 98 morning show line-up changed over the years but Besler was kept on the roster. He continued to contribute his message-laced comedy to No Limit Larry and the Morning Maddhouse. In April 2008 he began Tone X and Friends, which became a nightlife hot spot. Charlotte residents flocked to the comedy show to hear comics that kept them clutching their belly.

As of October 16, 2009, the radio chapter of  Besler’s career has ended. His mind is now focused on The Mo’Nique Show. “Making moves in your life is just like space and time,” he says. He points to an object lying on the table. “You see that notebook you got sitting on the desk. It is occupying a space. Nothing else can go there until you move that notebook. Even when you move the notebook you got to put it somewhere else.” He continues, “The only thing that makes sense is to put it somewhere where there is some space—so my career is like that notebook. I got to move from Power 98 to another space in order to go into the next phase [of my career].”

Mainstream Stardom with The Mo’Nique Show

Besler says that he always knew this mainstream recognition was right around the corner, but he never knew when right around the corner was. He says his new tagline will read, “I’m one of the funniest comedians you should have known sooner.” Comedienne Mo’Nique has known just how funny Besler was for quite awhile. They have known each for 18 years.

She informed Besler that she had a TV show in the works and wanted him to be a part of it. Besler didn’t think it would turn into a real job. “In the entertainment world people say thing like that all the time in passing,” he explains.  When Mo’Nique had the BET deal ready, she offered Besler a job as a scriptwriter. “I didn’t know how to feel, but I thought it was the best thing in the world [that happened to me],” he says.

With television he feels his educational/entertaining comedy will reach more people at once. “The beautiful thing about television is you never know how many people are watching you and where they are watching you. With The Mo’nique Show you’re talkin’ ’bout the Caribbean, Japan, Africa. It’s worldwide,” he says. For him, being a behind-the-scene guy is just as satisfying as being the person out front. “It feels good when you are sitting and watching the show and you recognize a line you came up with or a concept that your writing team put together,” he says.

The Mo’Nique Show is not limiting Besler to scriptwriting. He is on-air talent too. From time to time Besler will do skits, play characters, and act as a man-on-the-street liaison. Recently he represented The Mo’Nique Show as the red carpet consultant for the 2009 BET Hip Hop Awards. Besler says a chance to be on the red carpet made work feel like play. “You are out there interacting with all the kats you listen to on the radio!” He chatted with Snoop, Ice Cube, Sheree from Real Housewives of Atlanta and the list goes on. That experience made Besler understand the flashback stories so many successful people recount. “Last year I was asking Power 98, ‘Can I go to the BET Hip Hop Awards with No Limit?’ They were like, ‘We can’t pay for it, but you can go.’ And now I’m working the red carpet for The Mo’Nique Show,” he recalls.

Besler knows that the move to BET is the next level in his career, but he feels that it is NOT the final level. “It’s [BET] a beautiful thing and it’s big. But it is not as big as it can get,” he says. Besler explains, “If you are trying to find Tone-X, your neck is gonna get tired because you’re gonna have to look up. When I say up, I’m not talking where the planes are at. I mean where the space shuttle is…where the satellites are at… You wanna visit me? Go to the space station.”